1910 Antique Postcard Book
1910 Antique Postcard Book
Because every house should be a museum.
A B O U T
20 pages, over two dozen stunning, hand-tinted postcards from England, Ireland, and Scotland. Postcards are easily removed to be framed if desired, or entire book can be displayed on a wall using a plate hanger as seen in the photos. Each postcard is a work of art in and of themselves.
D E T A I L S
Inscribed on the inside front cover:
May 12, 1910
From Grandma
For her dear little Babsy
Antique booklet of cardboard, paper, and postcards.
Including from: Queens College in Belfast, St. George’s Church in Aldershot, London’s Bank & Royal Exchange, Glasgow’s Winter Gardens and Conservatories, High Street in Belfast, Leicester’s Abbey Park, Windsor Castle, Glasgow University, Giants Causeway, Irish International Exhibition, and Eastbourne’s Pier Pavilion, to name a few.
Measurements:
6 3/4” wide x 4 1/2” tall
C O N D I T I O N
Antique condition.
Weathered, worn, torn, and timeless.
Some corner mounts are pulled away, some pages and postcards are loose.
Many pages are crumbling but the spine is intact and in good shape.
This is not a toy or a coffee table book but a work of artful history to be displayed as a museum piece.
P R E S E R V E
By incorporating into our aesthetic a combination of reclaimed, vintage, handmade, and timeless pieces, our aim is to reduce the amount of waste that ends up in the landfill -both now and in the future. And in doing so, we honor and respect the mono no aware; or the ‘empathy toward things.’
Our goal is to preserve things -both for environmental + historical reasons, but additionally to help shift the narrative surrounding what is considered beautiful + useful. Each time we discard an item from the past because it is no longer “perfect” we degrade true perfection. We miss out on what the nature of a loved + lived thing can speak to us. By surrounding ourselves with new, disposable, unstoried items, our lives are lived without depth + breadth. We omit from our lives the profundity of sensory narrative.
Read more of our design ethos HERE.
P H I L O S O P H Y
Our philosophy is one of slow design. Whether it comes to slowing down to take the time to grow something from seed, or taking the time to preserve what we have -from food to furniture to textiles- we make an effort to find beauty in everything that crosses our path. Our society leads us to believe that new is best. That wear and stains and patina are undesirable. But we like to think that age is part of what makes things beautiful. It’s where the stories are. With this mindset, wear transforms blemishes + imperfections to perennial love stories etched in time. The table with one different leg that once upon a time someone cared enough to repair. The quilt with the worn edges from a child soothing itself to sleep each night. The wooden floor scratched and worn from many lifetimes of walking and living and dancing…
We want to preserve things for as long as possible -both for environmental reasons + historical reasons, but additionally to help shift the narrative surrounding what is considered beautiful + useful. There is not an infinite amount of things from this era. There is not an infinite amount of resources on this planet. Each time we discard or cut up or disfigure pieces from the past we erase some of our treasured history.
Our intention isn’t to shame anyone who has discarded/repurposed/reworked historical items. In fact, some vintage and antique pieces are in such rough shape that they are past the point of loving as they are. Reworking them to save them from the landfill is vital. We each have a responsibility to the stewardship of historical items and the stories they contain.